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"It's one
thing to be a strong progressive banjo player; another to excel
at the traditional end of the spectrum. To be able to add an indelible
mark to the whole history of the instrument is getting ridiculous.
High kudos to Bill Evans."
Tony Trischka
“The banjoist has a world view shared
by a precious few. It shows in the breadth of his own bluegrass
playing and, especially, through his composing. Evans infuses
his work with hints of jazz, classical and music of other realms,
all fitting snuggly into his conception of the bluegrass sound.”
David Royko, The Chicago Tribune
"He is able to reach into
the banjo's past to make a sublime statement of its future...to
create a sound firmly rooted in tradition but still fresh and
vital."
Tim Bond, Bluegrass Now
"One of the best banjo pickers
on the planet,"
Mark Wittington,
San Jose Mercury News, Jan. 2006
San Francisco Bay Area musician and
Virginia native Bill Evans has been involved with bluegrass music
and the banjo for over twenty-five years as a player, teacher,
writer and historian. He occupies a unique niche in the banjo
world: celebrated worldwide for his traditional and progressive
bluegrass banjo styles as well as his innovative original compositions,
he also enjoys a reputation as an outstanding instructor as well
as being an expert player of 19th century minstrel and classic/parlor
banjo styles. His latest accomplishment is authoring Banjo
for Dummies for Wiley Publications. Since its
release in August 2007, Banjo
For Dummies has become the largest selling banjo
book in the world.
Bill currently performs and tours with six-time
National champion fiddle Megan
Lynch. He also appears with renowned bluegrass and old time
musician Jody Stecher in a unique all-banjo show called The
Secret Life of Banjos. In addition, Bill is involved
with two outstanding California-based bands: Bill Evans
String Summit, an ensemble dedicated to the performance
of Bill's original instrumental tunes.
In addition, Bill performs from time to time with
the Bluegrass Intentions,
a traditionally oriented band featuring Alan Senauke (guitar)
and Eric and Suzy Thompson (mandolin, guitar and fiddle) and Larry
Cohea (acoustic bass). This band's debut recording on Native
and Fine Records, Old
As Dirt, has received rave reviews and international
radio airplay.
In addition to authoring Banjo
for Dummies, Bill is also the co-author with Dix
Bruce of Mel Bay's Parking
Lot Pickers Songbook: Banjo Edition, a collection
of 250 jam session favorites with an accompanying two CD set.
For the last fifteen years, Bill
has authored "Off the Record," one of the most popular
monthly instructional columns for Banjo Newsletter magazine. He also
hosts his own NashCamp
Fall Banjo Retreat with Sonny Osborne, held each year west
of Nashville, Tennessee. He has also presented banjo workshops
across the country at many major folk and bluegrass festivals
and has taught at virtually every important music camp, including
Sore Fingers
Bluegrass Week in the United Kingdom; the Midwest
Banjo Camp, Lansing, Michigan; Banjo Camp North in Groton,
Massachusetts; South Plains College's Camp
Bluegrass in Levelland, Texas; and the California
Bluegrass Associations Music Camp in Grass Valley, California.
He also teaches private lessons out of his home in Albany, California
for students at all ability levels, including intensive sessions
for out of town students.
Bill released his second solo project Bill Evans Plays
Banjo in late 2001 on Native and Fine Records. A collection
of twelve original bluegrass instrumentals along with a remake
of Bill Monroe's classic "Heavy Traffic Ahead," Bill
Evans Plays Banjo brings together some of the most outstanding
acoustic musicians on the West Coast, including Darol Anger (fiddle),
John Reischman (mandolin), Todd Phillips (bass) and Rob Ickes
(dobro). Other musical guests include Missy Raines, Don Rigsby,
Mike Compton, Jim Nunally, Nina Gerber, Steve Smith, Greg Spatz,
Glen Duncan, and Mike Bub.
In writing about this release, Chicago Tribune
wrtier David Royko says "Bill Evans has created an instrumental
masterpiece...an album certain to be viewed in the future as a
classic" and named this recording to his Top 10 Bluegrass
CDs of 2001 list. Bill Evans Plays Banjo was also named
a Top 5 Bluegrass Instrumental Recording of 2001 by Dave Freeman
in his County Sales newsletter. In addition, "Heavy
Traffic Ahead" has been on Bluegrass Unlimited magazine's
Top 30 Singles Chart for seven months, including four months in
the Top 10 of that survey. To download mp3 samples from Bill Evans Plays Banjo, click here.
Native
and Fine, his 1995 Rounder Records debut featuring David
Grier, Stuart Duncan and Mike Compton, was awarded an honorable
mention for 1996 Acoustic Instrumental Recording of the Year by
the Association for Independent Music (AFIM) (to hear a short
sample, click
here). From 1993 to 1997, Bill toured nationally with Dry
Branch Fire Squad and appears on their 1996 Rounder recording
Live! At Last. He co-produced and appears on Dry Branch
Fire Squad member Suzanne Thomas Rounder Records
1998 release Dear Friends and Gentle Hearts, which features
guest appearances from the Seldom Scene, the Lonesome River Band,
IIIrd Tyme Out and others. This recording was named "1998
Bluegrass Recording of the Year" by Keith Lawrence of Knight-Ridder
Newspapers and was a finalist for IBMAs 1999 "Recorded
Event of the Year" award.
Bill has also appeared from time to time or toured with the David
Grisman Bluegrass Experience, Due West, Laurie Lewis & Tom
Rozum, Robin and Linda Williams and Their Fine Group, Peter Rowan,
Suzanne Thomas, Don Rigsby & Friends, the Lynn Morris Band,
Rustler's Moon with Kathy Kallick and John Reischman. Bill was
the founder/leader of the 1980s progressive bluegrass band
Cloud Valley, based out of Charlottesville, Virginia, that also
included bass player Missy
Raines and mandolin player Steve
Smith.
Bill is the co-host for the Homespun Tapes video The Banjo
of Sonny Osborne and is a contributor to the Oxford University
Press Encyclopedia of Country Music (1998), In addition
he is the co-editor of The Banjo of J.D. Crowe from AcuTab Publications.
Bill is the subject of cover stories in Muleskinner (June-July
1999), Bluegrass Now (Jan.-Feb. 1996) and Banjo Newsletter (July 1996, May
2001) magazines in addition to being included in the June, 2002
issue of Bluegrass Unlimited.
Bill has three very popular instructional DVDs available from
AcuTab Publications: Power Pickin' Vol. 1: Up The Neck Back-up
for Bluegrass Banjo, Power Pickin' Vol. 3: Playing Backup
in a Bluegrass Band and Bluegrass Banjo Master Class:
Power Pickin' Vol. 4.
A doctoral candidate in ethnomusicology from the University of
California at Berkeley, Evans has taught courses in American music
history at the University of San Francisco, the University of
Virginia and Duke University. In 1994-95, he was the Associate
Director of the International Bluegrass Music Museum in Owensboro,
Kentucky. In 1997, he was a artist-scholar in residence at Virginia
Commonwealth University in Richmond as part of this universitys
New Perspectives in the Arts series and more recently has been
a performer in residence at Carleton College, Northfield, MN and
Morehead State University, Morhead, KY. Bill was also a recipient
of a Brown Foreman-Al Smith Artist Fellowship in musical composition
from the Kentucky Arts Council, this state's highest award for
achievement in the arts.
Bill is an artist endorser for GHS Strings, American Made
Banjo Strings, Osborne Chief banjos, the Colorado Case Company,
and David Wadsworth bridges. He resides in Albany, California
with his wife Kathy and children Jesse and Corey.
To contact Bill: email at bevans@nativeandfine.com
or phone Native and Fine Music at 510-559-8879 (Pacific Time Zone). |
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Bill is now performing with legendary
musician Jody Stecher in a new concert featuring old-time,
bluegrass, blues, minstrel and classic banjo styles that
they call "The
Secret Life of Banjos." |
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Bill at JamGrass 2002, Mt. Winery,
Saratoga, CA, August, 2002. From left to right: James Kerwin,
bass; David Grisman, mandolin; Bill Evans, banjo; Sam Grisman,
bass (behind Bill); Sam Bush, mandolin. Photo by Jon Sievert,
www.humblepress.com
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The Bluegrass Intentions bring eons of musical experience to a musical collective which blends traditional bluegrass, old-time, cajun and blues music to come up with their unique “Old As Dirt” sound. The band features some of the best known names in traditional music: Eric Thompson on mandolin and guitar; Suzy Thompson on fiddle and vocals; Alan Senauke on guitar, mandolin and vocals and Larry Cohea on bass. Photo by Irene Young. |
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